Marialis Mendoza, 1969.
He studied Graphic Design, Nemann. Caracas.
Between 1989 -1990 Pure Art study at the School of Visual Arts Cristobal Rojas, Caracas. Then I drew in the world of monochrome. He works in the Graphic Arts, I learned the management of velvety lithograph magic in Thamarind Institute Albuquerque, New Mexico. USA. Segui Graphics experiencing within the TAGA., And I graduated as Sufficiency Technician Visual Arts in Cristobal Rojas, Major in Graphic Arts. Worked as assistant researchers, "attention" in the CINAP users in the National Art Gallery.
My concern led me to want to analyze the problems of the deterioration of artistic heritage, speciesism the graph, and whose support is paper. It is when I start to study conservation of flat work at the Institute Autonomous National Library of Venezuela. Project Latin America on the preservation and restoration of Heritage Arcervos: Libraries, Archives, Photographs, Films, Art Works, binding Antigua, Contemporanea. Program developed by the IFLA, under the Coordination of Lourdes Blanco.
Continue research on Latin American photography, studying the collection of the MBA and the GAN. Intrecambio my thoughts and research with Mariana Figuerella and Josue Dorronsoro, both stimulating my training in the area contemporary photographers.
A specialist Venezuela attended the Institute for preservation of Canada, under the lens of Douglas Nischimura, start closer to the photographic archives and collection. Specific case files of the National Library of Venezuela and La Fundacion John Boulton.
Perform the work of conservative preserver of the collection of the National Art Gallery for eight years. Investigate cradores graphics processor in the country.
Subsequently traveled to Cuba-Havana-Santiago, in representation of the NSG in the meeting of Latin American Photography on preservation and conservation of photographic works. Consolidating the Photo Library intrecambio Cuba, Casas de las Americas, Library Jose Marti, and specialists FUNARTE, Brazil.
In parallel, I continue my creative activity as a graph. And as a child recorded workshops, my classes were directed to the sector of children placed at risk. Infant left in custody in the former Institute for Children in Venezuela.
Grant Young CONAC get Grafica. Program developed by the Management of Maestro Abreu. I travel to Romania, the desmostraciones in the Graphic Arts Workshop. CIPE participated in biennials as little slice Mail. TAGA young Biennial. Tribute to Alejandro Otero. Zullia. Colombo Venezolano. Thumbnail Biennial Luisa Palacios.
Grant me Fundarte, attending classes at the Workshop OPUS graphics. San Agustin del Norte.
Within the Latin American Exchange sponsored by the Ministry of Culture of Spain. Course study and specialization in Funds photographed and Spanish Archives. Stays at the National Library of Madrid. In the collection of photographs. Investigating the sources and photographic documentaries on Latin America, housed in Spanish libraries. Under the guidance of Isabel Ortega and Gerardo Kurtz.
Summer continuing studies at the University of Laredo. I attend the meeting on HUESCA IMAGE photography. Converge where experts from all geographical latitudes such as Europe, USA, Canada, Japan, and specialists in the photographic area.
Attend as an intern in London, the Cabinet of the National Galeri.
I served as coordinator of record collections and curator of the Museum late Armando Reveron, Macuto. Registrar MACSI documenyalista of the collection. And I served as Manager posteriormete Conservation Conteporaneo Art Museum of Caracas.
Studying from flat museum piece, and preserving, restoring works of the MAC collection. Present proposals for restoration in situ, as: l-Concept ambient space environment Lucio Fontana, 1968. The 1 st penetrable made of acrylate, by Mestre Jesus Soto, 1972. Mural Progression 1 and 2 Jesus Soto, 1974. Orthodox Paredes, John Lathan, 1972. Research on large pieces. MAC Paper cabinet, an incurable disease.
MACCSI a museum under fire. Sinietro essay on Central Park Tower Caracas.
Curatorial and research: From the Earth. Ecce Homme. Image: Images of Time. 14 Venezuelan artists.
Bite Trapera: anthology Federico Fernandez (1974-2007)-unreleased-
The Symbols Ruprestre Tarver, three visions: Mario Abreu, Angel Vivas Arias and Victor Hugo Irazabal. -Unreleased-
Marcos Antonio Edttegui - Juan Loyola. Action is action. "Unpublished"
Transvanguardia Transgender Vs. Baking skin - unreleased-
GEGO: soft Readings: Approaches in young artists-unreleased-
Study in Venezuela, Arts, Visual Arts Mention. UCV.
Perform various educational programs to raise awareness of the deterioration of heritage and museum piece objerto. Both tangible and intangible. In public spaces and private classes taught nationwide. ULA - Mérida. UNET-MAC-Coro, Falcon. Child Foundation, Nueva Esparta. FUNDACULTURA - Vargas.
Produced the 1 st Air Festival. Falcon 2007.
As an independent producer took the online magazine, MMG & artevisualcontemporaneo.
As a visual artist currently conducting research on the urban visual decoding of the code.
Taking a literary and photographic record of my journals or diaries to log the changes you have my body, my thoughts, my espiritud. Changes related to space habitualmete transit, this was conducted from 2003 to today.
Topics intalacion Recurrences in my videos, and vision perfomence critical when an artist board study.
